wik_wav Artworks

A digital illustration of Lem the Shapeshifter in his quoll form.

A digital illustration of Lem the Shapeshifter in his phascogale form.

A digital illustration of Lem the Shapeshifter in his civet form.

A commissioned character reference sheet of Cami Possum, an anthropomorphic possum character. The sheet includes front and back views, color palette, and various expressions and poses. Cami is depicted with soft gray fur, and a set of two real and two fake eyes, wearing a light blue tanktop and grey pants On the right side her skateboard is shown top-down, underside and in side view.

The text reads:
Cami Possum Witch
Height: 178cm
Gender: Woman
S. Orientation: Aro-Bisexual
The common language doesn't have enough curse words.

A commissioned digital painting of Lynna, an anthropomorphic character, sitting in a sunlit room.

A digital illustration of Lem the Shapeshifter in his weasel form, depicted lying down and sleeping peacefully. Official art of Lem's first unreleased diffsinger model "DS1".

A traditional graphite drawing titled "Don't Get Ideas," featuring two anthropomorphic characters - Lem and Lemm. In the image one can see the two of them having an intimate moment together, staring down each other's eyes.

A commissioned portrait of HQ's fursona.

A digital illustration featuring Kiyomi, an anthropomorphic lop-eared bunny. Kiyomni is an UTAU voicebank character. For covers with this voicebank, check out her creator's youtube channel.

A digital illustration of Lem the Shapeshifter in his banded palm civet form, depicted in a side profile view. The artwork exists as part of a series of three images showcasing Lem's various forms in side view.

A digital illustration of Lem the Shapeshifter in his quoll form, depicted in a side profile view. The character has a slightly chubby build and light beige fur with distinctive white spots. He is wearing a blue sleeveless shirt, a red collar, and a pearlescent high-collar jacket. The artwork is part of a series showcasing Lem's various forms in side view.

A digital illustration of Lem the Shapeshifter in his phascogale form. The character is depicted with a lanky build, light beige fur, and distinctive red-orange spiky hair. He is wearing a blue sleeveless cropped hoodie and a red collar. The image is part of a series showcasing Lem's various forms in side view.

A digital illustration of Lem the Shapeshifter in his weasel form, showcasing his V3 design. The character is depicted wearing a collared shirt, checkered socks, shorts, and a bowtie on his tail, standing on one leg with a cheerful expression. This artwork is somewhat of a retrospective as it was drawn years after the voicebank was finished being made, so it was an attempt to capture the spirit with which the voice was recorded only from memory.

A digital illustration serving as cover art for the song "Opaque" by Clairecat. The artwork features Lem the Shapeshifter in his weasel form, depicted with a relaxed expression as he adjusts a pair of sunglasses. The character is dressed in a floral pattern crop top, and the piece employs a sketch-like style with monochromatic shades.

A digital illustration of Lem the Shapeshifter in his marten form, depicted with a notably chubby physique. The character is shown sitting by a liminal swimming pool, with his legs submerged in the water. Lem is known to be a mysterious creature who enjoys the liminal and ethereal, and this artwork captures that aspect of his personality. The piece features dramatic airbrushed shading, enhancing the surreal and dreamlike quality of the scene. This artwork was also a study of wet surfaces and tight, semitranslucent clothing. It was an attempt to portray a stuffy and humid atmosphere.

A whimsical digital illustration of Lem the Shapeshifter in his inflatable living pool toy form. The character is depicted standing on a pastel-colored beach, featuring cream fur and a yellow body. Lem is making a peace sign, capturing a playful and lighthearted moment. He seems like as if he wished someone rode him, while still wanting keep up the appearance of his show-off persona, desperatly trying to avoid his inherent cuteness being exposed.

A vibrant anime-style digital illustration of Mat, an anthropomorphic wolf character with white fur and blue eyes. Mat is depicted standing in a semi-urban environment, looking over his shoulder while making a peace sign. The character was drawn to serve as an illustration for a diffsinger voicebank.

A digital illustration of Diiru, an anthropomorphic mouse-deer character. It was drawn to serve as a diffsinger character art asset. Diiru is depicted with soft light-brown fur, striking blue eyes, and distinctive tusks. The character stands in a regal pose against a clean white background.

A digital illustration of Lem the Shapeshifter in his phascogale form, depicted holding a camera with a wide-angle lens. The character is dressed in casual attire, including sleeveless cropped hoodie and joggers, and is shown in the act of taking a photograph. This artwork is part of a two image comparing Lem and his creator's fursona, both engaging in photography using gear which reflects their approach to social interactions. The other artwork is intended for adult audiences only, so it is not displayed here.

A vibrant digital painting of a muscular anthropomorphic kangaroo fighter standing in a stylized boxing ring. The kangaroo is depicted wearing blue boxing trunks and gloves, adopting a guarded stance. The background features neon torches and abstract shapes.

A commissioned artwork of an anthropomorphic bear plushie character named Bailey in a dark forest setting. The bear is depicted growling and tugging at a fence under moonlight. The artwork was drawn during "weretober", a month-long art challenge focused on werecreatures. The artist didn't manage to complete the full weretober challenge, but this piece was created as part of it.

A surreal digital painting of Lem the Shapeshifter in his wereweasel form, depicted partially submerged in a body of water. Lem has a frenzied look, his eyes wide and intense, because he is not used to being so huge. This piece was also created during "weretober", a month-long art challenge focused on werecreatures.

A surreal ink and watercolor composition featuring an anthropomorphic mongoose character reclining on a black plane. The background consists of abstract, dreamlike elements including washed-out blue skies and sketched orange mountain peaks. This, like many other pieces by wik_wav, was drawn in his personal journal (diary).

A traditional pencil drawing of a porcupine in a natural forest setting. The porcupine is depicted standing on a rocky surface, leaning forward to sniff a cluster of small mushrooms. The foreground features large, textured mushrooms that frame the scene, adding depth and interest to the composition. This image depicts wik_wav's fursona in feral form.

An abstract, non-linear, monochrome comic. From left to right: Porcupine sits on a beach littered with punctuation symbols (. , ...). His eyes are closed. He's dreaming up a tessellated cloud covered in tiled diamonds. 2/3rds of the page is the insides of this cloud, as seen from the outside. It's divided into diamond-shaped segments like a comic strip. The first segment shows a very buff kangaroo lifting. His face is covered in pitch-black shadow but his body is very well defined. Behind him stands the porcupine. He's wearing a headband with a triangle pattern. There's a small circle above his quill-covered head. Just below this panel they're hugging very intently. The porcupine's facial expression is that of a slightly raw scrambled egg. They're both naked. There's a flag with a checkerboard pattern in orthogonal perspective hanging from the panel above this one. Below is a panel with text and a comparatively big speech bubble taking up half its space. The text reads: "Soon / as we meet, / I'll be your best gymbro and we'll / out together / day. I'll eat / to cook... / squeeze / your abdom-/ feel like / my last breath... The next panel down shows an anchor, wind blowing and a rope-shaped squiggle swaying away from the anchor. Below is a closeup of a hairy chest. Below is a closeup of a big bicep. Below is another text pannel with an oddly shaped flower-like structure whose lower portion resembles pubic hair but is also ambiguous enough to be a plant at the same time. There's a moon sprouting from its cone. It shines against a black half-circle dome. To its left are waves, shaped like crescents. The text reads: What is this, some sort of ice cream cone flower meant to represent an un/certainty and the dreading of my b***r?? Diamonds are hard. I'm afraid I'd shatter them the / And what then? / moment they saw me. I never mean to be misunderstood but I am evil, aren't I.

An ink and watercolor artwork in blue and black with red accents. One can see in this image an abstract space with surreal details, with porcupines taking a shower in the electrolitic fluid from a capaticor hanging from a PCB board. On the left side, away from the cliff, in the sky an abstract depiction of the harmnonic spectrum can be seen, with waveforms and frequency patterns meant to mimic the spectrum of human singing. Below it are midi notes. Down in the distance there exist the chimneys of a nuclear power plant, with smoke rising into the sky.

A stylized portrait of an anthropomorphic character named Lemm combining the elegant snout of a borzoi dog with the teeth and vertical pupils of an alligator. Vibrant orange and yellow ink splashes accentuate the flowing grey-blue fur against a geometric background drawn in the ink-and-wash technique.

An intricate surrealist composition using violet washes and gestural black ink. The piece weaves together profiles of human faces and animal silhouettes with hand-drawn kanji and symbols, creating a dreamlike, cerebral aesthetic.

A worldbuilding illustration for the lozenge tessellation project. A small porcupine figure stands on a curved hillside amidst fuzzy, spherical spore-plants and spindly trees, set against a watercolor sky with a distinctive ink-splatter sun.

Drawn for a friend. An ink wash sequence depicting an anthropomorphic skunk. The layout anchors on a detailed smiling bust, rising through profile views and abstract wavy lines to a Ferris wheel at the top of the composition.

A dynamic watercolor featuring an anthropomorphic winged wolf with blue and white fur. Wearing segmented orange armor, the character reclines in a floating pose against a dreamy background of pink and purple washes. This was part of an art-trade with tup.

An abstract ink and watercolor (Gansai) study of organic, ribbon-like pink structures resembling tree branches. A stylized woodpecker is integrated into the flowing composition, peeking through a gap in the patterns.

A comic strip showing an anthropomorphic civet singing words about being made (big). He hesitates, gets embarrassed and grows in size to tower over buildings closely resembling Eastern European commie blocks. When big, having toppled several buildings by way of his weight, he is laying comfortably on the rubble, smiling with glee - he's already changed into new clothes, taken from a macro-sized warderobe only he knows the location of (he downloads clothes off the cloud??).

Text:
top panel: Yeah you!! Will make me! oh! (giant letters) S O (tiny) big?…
bottom panel: I change quick huh?
(He has a macro-sized warderobe specifically for this kind of thing)
outside border: "He got embarrassed" | March 20 2025